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02368nam a22003618i 4500 |
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CR9781108525961 |
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UkCbUP |
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20200623173941.0 |
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| 008 - FIXED-LENGTH DATA ELEMENTS--GENERAL INFORMATION |
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170608s2019||||enk o ||1 0|eng|d |
| 020 ## - INTERNATIONAL STANDARD BOOK NUMBER |
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| International Standard Book Number |
9781108525961 (ebook) |
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9781108423397 (hardback) |
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9781108437509 (paperback) |
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UkCbUP |
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eng |
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rda |
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UkCbUP |
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PN56.M54 |
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B37 2019 |
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| Classification number |
809/.9112 |
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23 |
| 100 1# - MAIN ENTRY--PERSONAL NAME |
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| Personal name |
Baskin, Jason M., |
| 245 10 - TITLE STATEMENT |
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| Title |
Modernism beyond the avant garde embodying experience / |
| Statement of responsibility, etc |
Jason M. Baskin. |
| 300 ## - PHYSICAL DESCRIPTION |
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| Extent |
1 online resource (x, 225 pages) : |
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digital, PDF file(s). |
| 500 ## - GENERAL NOTE |
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| General note |
Title from publisher's bibliographic system (viewed on 15 Nov 2018). |
| 505 0# - |
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| Formatted contents note |
Late modernism and the aesthetics of embodiment -- Elizabeth Bishop's rhythmic looking -- Ezra Pound's scraps of a self -- Ralph Ellison's invisible laughter -- Raymond Williams's collaborative labor. |
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| Topical term or geographic name as entry element |
Modernism (Literature) |
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Postmodernism (Literature) |
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Capitalism and literature. |
| 856 40 - |
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| Uniform Resource Identifier |
https://doi.org/10.1017/9781108525961 |
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1977- |
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author. |
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Cambridge : |
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Cambridge University Press, |
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2019. |
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text |
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txt |
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rdacontent |
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computer |
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rdamedia |
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online resource |
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rdacarrier |
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Critics have traditionally maintained that capitalism's resurgence after the Second World War precipitated the transition from modernism to postmodernism. This revisionist account shows that modernism does not simply decline. By foregrounding phenomenological conceptions of bodily experience, Jason M. Baskin reveals modernism's ongoing vitality. Key postwar writers, critics and philosophers, including Elizabeth Bishop, Ezra Pound, Ralph Ellison and Raymond Williams, as well as Maurice Merleau-Ponty and Theodor Adorno, developed an aesthetics of embodiment that adapted modernism to a new postwar landscape. Working across differences of race, gender, national and intellectual tradition, genre and form, Baskin contends that these authors used ordinary bodily experiences, such as perception, memory and laughter, to imagine modes of common being and purpose that were otherwise unavailable in a postwar society dominated by liberal capitalism. |
| 776 08 - |
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Print version: |
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9781108423397 |
| 952 ## - LOCATION AND ITEM INFORMATION (KOHA) |
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0 |
